My occupation is that of a cartographer. I draw detailed maps of local utility features, which is as boring as it sounds. Every once in a while, though, I’m able to design some very nice and very pretty maps, usually for public presentations. There is a lot of art in making maps, even for engineering purposes. Knowledge of chromatic interaction is necessary, as well as an ability to communicate complex themes through monochromatic media. Then there is restraint. At times you just have to know what can’t be placed on your map. It’s about focus. It’s like writing in a lot of ways.
You have to draw the eye to your emphasized feature. You have to know how to do that. People have been using maps now for about 10,000 years. They have always been the same idea. A picture of the ground looking down from the sky. Until recently, no human had ever had that perspective, so it was all imagined. And even now, maps have to be conveyed in such a way that your audience can imagine the ground from above. You have to make them God of your offered details. They get the oppurtunity to lord over the watershed system or the utility lines or the roads and byways of the land. And you have to make that possible.
It reminds me of a very deep theme in the Bible, and probably most holy writ. Naming something gave you dominion over it. Adam was given dominion through the process of naming, the same way Jesus cast out a deaf and dumb spirit by knowing its name. Names are power.
It makes me think of the way little kids memorize the names of dinosaurs, real life monsters. or fake, card game monsters. They argue the merits and form favorites among them. It’s power. So much of childhood is powerlessly resisting the efforts of the authority around you that it stands to reason you would grasp for a fundamental authority like that. Maybe that’s why grown men memorize sports statistics and talk about lovingly their teams, though they are all complete strangers.
I never got into that crap. I thought dinosaurs were lame. I would draw maps. I would make up an entire world and draw it out. I used some old styles and techniques I must have lifted out of text books. They were pretty damn good. I would make continents that made a lot of sense. I made mountains instinctively at suture points and rifts at triple junctions.
Maybe because the whole world was already explored before I was born and I never got to get in on any of it.
Here in the GIS era of map making, the maps have a shallowness and lack of realism. Even the highly detailed computer models lack the flourishes of the older schools. It’s more accurate, but less real.
Anyway, I want to buy this series of late 60’s National Geographic maps of the ocean floors. I used to use maps as my wall hangings. Interior decorating is not exactly my strong suit, obviously. USGS quads are not considered high art, I guess.
I really love this one in particular.
If I were a post tagging man, this would be under “Ridiculous Nerdery”
