Beer and Bacon (Again)
It’s funny that women, seeing my old school rolling iron styles of conveyance always question me on the reliability of said old vehicle. Without too much irony, I try to point out that the old trucks typically go batshit and breakdown on me with logarithmically less frequency than the particular woman has or will.
A convoluted sentence, I know. The point is, my cheap Mexican Strat has more reliably improved my life for the last ten years than any person related tonnage added to my payload. Cheap date, considering it was about $250 new. She has run me about twelve dollars in luthier work over the years. I will try not to make obvious jokes about replacing the cable jack on her.
I will try.
The point of this ramble (Beer and bacon for breakfast? Absolutely), if indeed there were one, is that I had a pretty badass jam session last night. The house was a run down pile of shit and quite possible the most expensive object for miles around was the guy’s drums.
Until last night, I had not run my amp higher than about three since early 2005. It’s a monster, and the only other amp I have is 15 class A watts, which means once it starts to sound good, it knocks the fillings out of your teeth. Obviously not a polite thing to put neighbors and such through. I got to turn that Marshall combo up to about seven.
Now:
The nature of musical notes, as we hear them, is a monster of complication. If I were to take any particular object and vibrate it at 440 oscillations per minute, that would technically be the musical note “A.”
That is simple enough, but it would be impossible for any instrument (anyone cares about) to produce only that one note. In every fretted note of a guitar or every struck wire of a piano, a world of complexity emerges. That is because music is not the product of some cerebral calculation and coordinated physical laws. It is the marriage of the melodic and harmonic tones. These harmonics live in the piled high flood waters of every note. When a guitar hits one note, a total of sometimes seven tones escapes. That is not exactly true, those are the detectable tones. A controlled explosion along several harmonic frequencies leaves the instrument that your ears hear, but your brain cannot interpret. All your brain can do is hear the flood of so many levels and vectors and know that it is hearing the essence of the real.
It is telling that our brains recognize reality only in complexity, and associate all hard line truths and linear maths with the divine. We know better than we imagine. A person can draw a line around themselves and say that one side is right and the other wrong, but they cannot say the myriad reasons an A is there or why the impossibly complex explosion of an A a C and an E can change the nature of our perception. Or how the numerous chord inversions can alter everything that chord says to us. The brain, the ancient and primordial brain, the temple absconded by our self created souls, the throne of our mutated and selected reason, still resonates with a flashing photon extension in E7. Or the light apricot fuzz covering a woman’s body in the rectangle of morning sun my window lets in.
It is sad that we do not have the capacity to reason or even name so much of what we feel.


